Error loading page.
Try refreshing the page. If that doesn't work, there may be a network issue, and you can use our self test page to see what's preventing the page from loading.
Learn more about possible network issues or contact support for more help.

Gender Studies

The Confessions of an Accidental Outlaw

ebook
1 of 1 copy available
1 of 1 copy available

When you're the only Black kid in the honors program or (any program) at your mostly white high school, or one of a handful of Black graduate students in your PhD program, or one of two African American women on the faculty at your Pac-10 employer, it's not your gender non-conformity that sets you apart from your peers. In those environments, your Blackness is the first thing people notice about you. Still, there are other ways of being different—and feeling different—that can't be attributed to race, especially if you're one of the people whose awareness of the unwritten rules of what it means to be a boy or a girl (or a man or a woman) is tempered by the fact that most of those rules don't feel quite right.
In Gender Studies: True Confessions of an Accidental Outlaw, Ajuan Mance gives comic treatment to the challenges, complexities, and occasional absurdity of life at the crossroads of race, gender, and geekiness. This graphic memoir answers important questions like: How many preschoolers have to mistake you for your dad before you actually start to forget your own name; if a Black girl is awful at double-dutch jump rope is it a reflection on her gender identity, racial identity, or both; and is viola player a gender or just a sexual orientation? Ajuan Mance's comic Gender Confessions take up each of these questions and more, as it invites to share in those moments that mark the path of a gender explorer.

  • Creators

  • Publisher

  • Release date

  • Formats

  • Languages

  • Reviews

    • Publisher's Weekly

      March 4, 2024
      Mance (What Do Brothas Do All Day?) interrogates gender identity in an insightful graphic memoir grounded in nuanced and amusing explorations of her gender expression as a Black, “woman-identified gentleman scholar.” Revisiting her college dating life in the mid-1980s, when boyfriends saw her as a “guy friend who’s also a girl friend,” Mance describes how she admired her partners’ clothes and hairy knuckles before discovering the “difference between being interested in masculinity and being attracted to men.” The brief yet effective chapters dig into the intersection of Blackness and gender through anecdotal stories on such topics as how Black women perform femininity through hairstyles and how young kids perceive gender. Mance’s trademark stylistic flair is subdued here, but her vivid coloring and sharp linework strike a contrast between dense text and characters drawn in titanium white. Her witty personality comes through particularly in the final entry, “Check All That Apply,” which relates several “Black nerd stories” and an Octavia Butler–inspired speculative timeline that transports her to a “1983 meeting of the East Bay Black Lesbian Collective” in Oakland. Newcomers to the artist’s oeuvre will feel welcomed by this endearing work, which affirms how far the understanding of gender identities and experiences has come since Mance’s coming-of-age in the 1970s. It’s a celebration of queerness that will resonate with fans of Lawrence Lindell’s Blackward.

Formats

  • OverDrive Read

Languages

  • English

Loading